Raga Bhatiyar

Bhatiyar

Learn Raga Bhatiyar in Western Notation.

Raga Description: Raga Bhatiyar belongs to Marwa Thaat and also shows some glimpses of Raga Mand.    S D, N P, D m, P G these notes makes a distinct atmosphere for Raag Bhatiyar. This is a complex Raga full of Vakra character and can be learnt only from a Guru. N D N P D m these notes shows glimpse of Raag Mand. Rishabh and Nishad are used sparingly in Aaroh. Shuddha Madhyam is a resting note in Avroh. Madhyam Teevra is used to start the Uttarang. This Raag produces an anxiety laden atmosphere. It can be elaborated in all the three octaves.

Notations (स्वर)

Both Madhyams, Rishabh Komal. Rest all Shuddha Swaras.

जाति

सम्पूर्ण - सम्पूर्ण (Heptatonic – Heptatonic Curve )

थाट(Scale)

मारवा (C, C#,D, F#,G, A, B, C')

आरोह (Ascending) :

सा रे सा, सा म, म ध प, सा ध, ध नि प म, प ग, ( तीव्र) ध सा'

(C C# C, C F, F A G, C A, A B G F, G E, F# A C’)

अवरोह (Descending ):

सा' रे' नि ध प, ध नि प म, प ग रे सा   (C’ C# B A G, A B G F, G E C# C)

वादी -- शुद्ध मध्यम (F)

संवादी -- षड्ज (C)

पकड़ (Group of Notes)

CFG, GEC#C, CABA, BG, AF, GE, GEC#C, F#AC

सा म प, प ग रे सा, सा ध नि ध, नि प, ध म, प ग, प ग रे सा, ( तीव्र) ध सा'

Moods: Virah, Bhakti, Jeevan Darshan & Shringar.

Time (प्रहर):

Early Morning (4th Prahar of the Night)

Raga Bhatiyar  Based Hindi Movie Songs

  • Aayo Prabhat - Sur Sangam
  • Jaya Nandlala - Ghar Ghar Ki Kahani
  • Naina Neer Bahaye - Water

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Raga Bairagi Bhairav

Bairagi bhairav

Learn Raga Bairagi Bhairav in Western Notation.

Raga Description: This Raga is said to be introduced by Pt. Ravi Shankar. It is a very melodious Raag and appropriate for devotional songs. This Raag is very simple in its framework and discipline so artists have full liberty to sing in all the three octaves. This Raag belongs to Bhairav Thaat.

Notations (स्वर)
Gandhar and Dhaivat Varjya.  Rishabh and Nishad Komal. Rest All Shuddha Swaras.

जाति  
औढव - औढव (Pentatonic- Pentatonic )

थाट (Scale) 
भैरव (C, C#,E, F, G, G#,B, C' )

आरोह (Ascending) :        
सा   रे  म  प  नि   सा  (C  C#  F   G  A#  C)  

अवरोह (Descending ):       
सा   नि   प  म   रे  सा  (C  A#  G  F  C#  C)

वादी (Sonant) -- मध्यम (F)    


संवादी (Consonant) – षड्ज (C)   

पकड (Group of Notes)

नि  रे  म प,  नि प नि,   नि    म  रे,  नि रे  सा
A#  C#  F  G,   A#  G  A#,   A#  F  C#  A#  C#  C

Moods: Devotional, Deep and full of Bhakti.

Time --    Morning     

Raga Bairagi Bhairav Based Hindi Songs List:

  • Gumnaam hai Koi – Gumnaam
  • Huq Ali -  Nakhuda
  • Mein Ek Raja Hun – Upahaar
  • Tere Bina Jiya Na Lage - Parde Ke Peeche

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Raag Jaunpuri

Jaunpuri

Learn Raga Jaunpuri in Western Notation.

Raag Description: This Raag is very similar to Raag Aasavari in its rendering and is very sweet to listen to. Whereas in Asavari both Gandhar and Nishad are Varjya in Aaroh, in Raag Jaunpuri only Gandhar is Varjya. R R m m P ; d m P g R S ; R ,n S this are the characteristic notes of Raag Jaunpuri. d m P g R S these notes are rendered in Meend and Gandhar and Dhaivat are oscillated, which increases the beauty of this Raga. This is a Uttarang Pradhan Raag and can be expanded in Madhya and Tar Saptaks. The atmosphere created by this Raag is deep and full of Bhakti and Shringar Ras.

Notations (स्वर)

Gandhar Varjya in Aaroh. Gandhar, Dhaivat and Nishad Komal. Rest all Shuddha Swaras.

जाति

षाढव - संपूर्ण (Shadhav- Sampoorna )

थाट (Scale)

आसावरी (C, D, D#, F, G, G#,A#,C')

आरोह (Ascending) :

सा, रे म, नि सा (C, D F, G G# A# C)

अवरोह (Descending ):

सा नि , प, म , रे सा (C A# G#, G, F D#, D C)

वादी (Sonant) -- धैवत (G#)

संवादी (Consonant)गंधार (D#)

पकड (Group of Notes)

म प नि प, , नि म प , रे म प

F G G# A# G# G, G#, A# F G D#, D F G

Moods: Deep and full of Bhakti and Shringar Ras.

TimeMidnight

Raga Jaunpuri Based Hindi Songs List:

  • Chitanandan Aage Nachungi - Do Kalyan
  • Dil Ched Koi Aisa Nagma – Inspector
  • Dil Mein Ho Tum Ankhon Me Tum - Satyamev Jayate
  • Ghunghatke Pat Khol – Jogan
  • Jab Dil Ko Sataye Gam - Sargam (Old)
  • Jaye To Jayen Kahan - Taxi Driver
  • Meri Yad Men Tum Na Ansu Bahana – Madhosh
  • Pal Pal Hai Bharee - Swadesh

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Jati of Raag- Tonal Classification

raga jatiThe number of notes in ascending or descending movements of a Raga is called its Jati. There are three basic Jatis:

1. Sampooran - containing seven notes,

2. Shaudava - containing six notes,

3. Audava - containing five notes.

Since a Raga may have any combination of ascending and descending notes six more Jatis making a total of 9 Jatis are computed as follows :-

1. Sampooran -- Sampooran: Ragas in this classification will have all the seven notes in the ascending as well as descending movements.

2. Sampooran -- Shaudava: Ragas in this Jati will have seven notes while ascending and six notes while descending.

3. Sampooran -- Audava: Ragas in this category will have seven notes while ascending and only five notes while descending.

4. Shaudava -- Sampooran: Six note ascending and seven descending.

5. Shaudava -- Shaudava: Six notes ascending six descending.

6. Shaudava -- Audava: Six ascending and five descending.

7. Audava -- Sampooran: Five ascending and seven descending.

8. Audava -- Audava: Five ascending and five descending.

9. Audava -- Shaudava: Five ascending and six descending.

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Raag Puriya Dhanashri

Raag Puriya Dhanashri

Learn Raga Puriya Dhanashri in Western Notation.

Raag Description: This Raag occupies very important place among evening melodies. It produces compassion and is emotional in character.The sobriety of its scale makes it very emotional in character. It is embellished with the raudra and bhayanaka or the wrathful and the fearsome while using the dhaivat, madhyam and the rishabh but it also contains the karunakara or compassionate characteristic while using the nishadh.

Notations (स्वर)

Rishabh and Dhaivat Komal. Madhyam Teevra. Rest All Shuddha Swaras.

जाति

सम्पूर्ण - सम्पूर्ण वक्र (Sampoorna- Sampoorna Vakra)

थाट (Scale)

पूर्वी (C, C#,D, F#, G, G#,B, C')

आरोह (Ascending) :

नि रे सा, नि रे (तीव्र) प, (तीव्र) नि सा (B C# C, B C# E F G, F G# B C)

अवरोह (Descending ):

रे नि प, (तीव्र) ग (तीव्र) रे ग रे सा (C# B G# G, F E F C# E C# C)

वादी (Sonant) -- पंचम (G)

संवादी (Consonant) – षड्ज (C)

पकड (Group of Notes)

नि रे ग, (तीव्र) प, प, (तीव्र) ग, , (तीव्र) ग, रे सा

B C# E, F G, G# G, F E, F E, C# C

Moods: The mood is compassion and emotional

Time Evening

Raga Puriya Dhanashri Based Hindi Songs List:

  • Aake Teri Baahon Mein – Vansh
  • Hai Rama Yeh Kya Hua – Rangeela
  • Kaise Jaoon Piya – Prarthana
  • Kitane Dino Ke Baad Ye Aai - Aaye Milan Ki Raat
  • Koyaliya Ud Ja – Mukesh
  • Labon Se Chumlo – Aastha
  • Meri Saanson Ko Jo - Badalte Rishtey
  • Meri Tumse Yahi - Sri Krishna Bhakti
  • Naari Jeevan – Raftaar
  • Naino Ko Baaten Karne Do – Elaan
  • O Baawari – Prarthana
  • Prem Lagan - Surat Aur Seerat
  • Prem Lagana - Soorat Aur Seerat
  • Pyaasi Ankhiyan - Sampoorna Ramayana
  • Rut Aa Gayi Re - 1947:Earth
  • Tori Jai Jai- Baiju Bawara
  • Tori Jay Jay Karatara - Baiju Bawra
  • Tumne Kya Kya Kiya Hai - Prem Geet

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Raag Todi

Todi

Learn Raga Todi in Western Notation.

Raga description: raag todi is also referred to as shuddha todi, miya ki todi or darbari todi. Notes are rendered using meend from rishabh to gandhar and vice versa. Hence, the gandhar used in this raag is of lower shruti then the regular komal gandhar . In aaroh, pancham is generally skipped, while rendering from madhyam to shadj like म ध नि सा'. The form of todi, without pancham is named as raag gurjari todi.

Notations (स्वर)

Rishabh, Gandhar and Dhaivat Komal, Madhyam Teevra. Rest all Shuddha Swaras

जाति

सम्पूर्ण - सम्पूर्ण (Heptatonic – Heptatonic )

थाट(Scale)

तोडी (C, C#,D#, F# G, G#,B, C')

आरोह (Ascending) :

सा रे ( तीव्र) नि सा' (C C# D# F G G# B C)

अवरोह (Descending ):

सा' नि प म (तीव्र) रे सा (C B G# G FD# C# C)

वादी -- धैवत (G#)

संवादी -- गंधार (D#)

पकड़ (Group of Notes)

सा रे ग, रे सा, म (तीव्र) ग, रे ग, रे सा

C C# D#, C#C, FD#, C#D#, C#C

Moods: deep and creates an atmosphere full of Bhakti and Karun Ras.

Time (प्रहर):

Afternoon

Raga Todi Based Hindi Movie Songs :

  • Aaj Gaawat Man Mero - Baiju Baawara
  • Ae Ri Aali Piya – Pativrata
  • Ae Ri Main To Prem Diwani – Meera
  • Diya Na Bujhe Ri Aaj - Son Of India
  • Door Dekh Alkapuri - Kavi Kaalidas
  • Ghar Aaya Mera Pardesi – Awara
  • Hari Gun Gaa Le - Dil Ki Raahen  
  • Ik Tha Bachpan – Aashirwaad
  • Insaan Bano - Baiju Baawara
  • Ja Ja Re Pathikwa – Lekin 
  • Jab Tum Hi Ho - Pilpili Saahab
  • Jago He Prabhaat - Sant Gyaneshwar
  • Jhoothe Naina Bole – Lekin
  • Khud-E-Bartar Teri - Taaj Mahal 
  • Kuchh Log Mohhabbat Karker – Laava
  • Main To Ek Khaab Hoon - Himalay Ki God Me
  • Mose Rooth Gayo – Vidyapati
  • Raat Suhaani Jaag - Jigri Dost
  • Raina Beeti Jaay - Amar Prem
  • Tere Bachpan Ko - Mujhe Jeene Do
  • Watan Par Jo - Phool Bane Angaare
  • Ye Dhaaga Hai Pyar - Phool Aur Kaanta

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Raag Khamaj

Khamaj

Learn Raga Khamaj in Western Notation.

Raag Description: Raga Khamaj is a representative of the Khammaj Thaat. It uses the shuddha N in Aaroha and komala n in Avaroha. The light and romantic nature of the raga makes is appropriate in a wide variety of compositions, especially thumris, ghazals and devotional music. This Raag is an ideal melodic format for both type of Shringars, Vibralambh and Uttan Shringar With a husky voice that emits the emotion of painful separation and with Khatkas and Murkiyan, the Raag mood is well brought out, decorated with diverse Thumri styles of Panjab, Lucknow and Banaras Gharanas.

Notations (स्वर)

Rishabh Varjya in Aaroh, Both Nishad ( shuddha N in Aaroha and komala n in Avaroha). Rest all Shuddha Swaras.

जाति

षाढव - संपूर्ण (Shadhav - Sampoorna)

थाट (Scale)

खमाज ( C, D, E, F, G, A, A#,C' )

आरोह (Ascending) :

सा ग म प ध नि सा' (C E F G A B C')

अवरोह (Descending ):

सा' नि ध प म ग रे ग सा, नि सा ग म प (C' A# A G F E D E C, B C E F G )

वादी (Sonant) -- गंधार (E)

संवादी (Consonant) – निषाद (B)

पकड (Group of Notes)

ग म प नि ध म प ध म ग

E F G A# A F G A F E

Moods: The mood is light and enthralling but not sedate. Tender, Remembrance of joy.

Time --    Late evening

Raga Khamaj Based Hindi Songs List:

  • Ab Kya Misal Dun, Main Tumhare Shabab Ki- Aarti
  • Ae Dil Se Dil Mila Le – Navrang
  • Ayo Kahan Se Ghanshyam - Buddha Mil Gaya
  • Bada Natkhat Hai - Amar Prem
  • Chunariya Katati Jae - Mother India
  • Dhal Chuki Shamegam – Kohinoor
  • Hum Apna Unhe Bana Na Sake – Bhanwara
  • Khamaj - Shafqat Amanat Ali
  • Khat Likha De Sanvariya Ke Nam Babu - Aaye Din Bahar Ke
  • Kuch To Log Kahenge - Amar Prem
  • Mere To Giridhar Gopal – Meera
  • Mohabbat Karne Wale- Mehdi Hassan
  • Nazar Lagi Raja Tore Bungle Par - Kaala Pani
  • O Sajna Barkha Bahaar Aayi- Parakh
  • Piya Tose Naina Lage Re – Guide
  • Shaam Dhale Jamuna Kinare – Pushpanjali
  • Tere Bina Sajna Lage Na Jiya Hamar – Aarti
  • Tere Mere Milan Ki Yeh Raina- Abhimaan
  • Vaishnav Jan To - Narsinh Bhajan
  • Vo Na Aayenge Palatkar - Devdaas 

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Raag Bhairav

Bhairav

Learn Raga Bhairav in Western Notation.

Raag Description : Raag Bhairav is often referred to as the king of morning Raags. It produces a rich atmosphere. The Rishabh and Dhaivat used here are oscillating which is strongly recommended in this Raag and it makes the Raag mood intense.

Notations (स्वर)

Rishabh and Dhaivat Komal. Rest All Shuddha Swaras.

जाति

संपूर्ण - संपूर्ण (Sampoorna- Sampoorna)

थाट (Scale)

भैरव (C, C#,E, F, G, G#,B, C')

आरोह (Ascending) :

सा रे ग म प नि सा' (C C# E F G G# B C')

अवरोह (Descending ):

सा' नि प म ग रे सा (C' B G# G F E C# C )

वादी (Sonant) - धैवत (G#)

संवादी (Consonant) - रिषभ (C#)

पकड (Group of Notes)

प, ग म, रे रे सा

G# G, E F, C# C# C

Moods: feels a rich ocean like atmosphere of this Raag

Time -- Early Morning (Sunrise)

Raag Bhairav Based Hindi Movie Songs

  • Aei Maalik Tere Bande - Do Aankhen Barah Haath
  • Amma Roti De Baba – Sansaar
  • Apne Jiwan Ki – Uljhan
  • Bhor Bhaye Bhairav - Sweekar Kiya Maine
  • Chain Nahi Aaye -
  • Chalo Man Jaayen - Swami Vivekanand
  • Dekho Bijli Dole - Phir Wohi Dil Laya Hoon
  • Devta Tum Ho – Daayera
  • Dil Ek Mandir Hai - Dil Ek Mandir
  • Dua Kar Gham-e-dil – Anaarkalee
  • Ek Ritu Aye Ek Ritu Jaye - Gautam Govinda
  • Hanse Tim Tim – Sanskar
  • Jaago, Mohan Pyare Jaago - Jagte Raho
  • Kisi Nazar Ko Tera – Aitbaar
  • Main Ek Raja Hoon – Uphaar
  • Man Re Hari Ke Gun – Musafir
  • Mehfil Mein Teri – Albela
  • Meri Veena Tum Bin - Dekh Kabira Roya
  • Mohe Bhul Gaye Sanvariya - Baiju Bawra
  • Mori Paayal Bole - Dus Laakh
  • So Jaa re – Sanskar
  • Sun Ri Pawan – Anuraag
  • Too Hi Sagar – Sankalp
  • Vandana Karo - Ladki Sahyadri Ki
  • Waqt Karta Jo Wafa - Dil Ne Pukara
  • Ye Kaisa Gham - Pyasi Sham
  • Zindagi Ko Sanwaarna – Aalap
  • Zubaan Pe Dard Bhari Daastan - Maryada

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Raag Kafi

Raag Kafi

Learn Raag Kafi in Western Notation.

Raag Description: This is also referred to as the Bhairavi of night. Both Shuddha Nishad & Gandhar are occasionally used. The atmosphere created is most suitable for both types of Shringar and hence many Thumri & Hori compositions are sung in this Raag.. It is a versatile raga and can be played anytime. The raga has influenced folk music heavily and it is common to find folk songs and Bhajans in this raga. Pure forms of Kafi are rarely performed.

Notations (स्वर)

Gandhar and Nishad Komal. Rest all Shuddha Swaras.

जाति

सम्पूर्ण - सम्पूर्ण (Sampurna-Sampurna)

थाट (Scale)

काफी (C, D, D#,F, G, A, A#, C')

आरोह (Ascending) :

सा रे म प ध नि सा' (C D D# F G A A# C')

अवरोह (Descending ):

सा' नि ध प म रे सा (C' A G F D C )

वादी (Sonant) -- पंचम (G)

संवादी (Consonant) -- षड्ज (C)

पकड (Group of Notes)

सा रे रे प म

C D DD# F G

Moods: soothing atmosphere which is neither very deep nor very playful.

Time – Midnight

Raag Kafi Based Hindi Movie Songs

  • Aa Ab Laut Chalen - Jis Desh Main Ganga Behti Hai
  • Ae Dunya Kia Tujh Se Kehoon – Suhagan
  • Aisi Laagi Lagan Meera Ho Gayi – Anoop jalota
  • Bairana Neend Na - Chacha Zindabad
  • Balma Aan Baso More Mann mein
  • Biraj Me Holi Khelat Nand Lal – Godaan
  • Chamte Chand Ko - Aawargi Ghulam
  • Dheere Dhere Bol Koi Sun Na Le - Gora Aur Kala
  • Dil Mein Ho Tum  Aankhon Mein - Satyamev Jayate
  • Gaironpe Karam Apnonpe Sitam – Aankhen
  • Hamari Sanson Mein Aaj Tak Woh - Noor Jehan
  • Hori Ho Brijaraja Dulare – Saigal
  • Ik Sitam Aur Meri Jaan Abhi Jaan Baqi Hai - Mehdi Hassan
  • Ishq Ki Garmi-E-Jazabaat Kise Pesha – Ghazal
  • Jalte Hain Arman Mera Dil Roota Hai  - Noor Jehan
  • Kabhi Guncha Kabhi Shola Kabhi Shabnam – Jagjit Singh
  • Kali Ghodi Dwar - Chashm-E-Buddur
  • Kase Kahun Mann ki - Dhool Ka Phool
  • Kasme Vade Pyaar – Upkaar
  • Lat Uljhi Suljha Ja Re Baalam - Noor Jehan
  • Pyaar Bhare  Do Sharmeele Nain - Mehdi Hassan
  • Qarar Lootne Wale Qarar Ko Terse - Munir Hussain
  • Rafta Rafta Woh Meri- Mehdi Hassan 
  • Rim Jhim Rim Jhim Pere Phawar -  Noor Jehan
  • Sab Kuch Luta Ke Hosh Me -  Talat Mehmood
  • Sun Wanjli Di Mithri Taan Way -  Noor Jehan
  • Tere Bheege Badan Ki Kshboo Se - Mehdi Hassan
  • Tu Hai Phool Mere Gulshan Ka - Phool Mere Gulshan Ka
  • Tum Nahin Gam Nahin  Sharab Nahin - Jagjit Singh
  • Tumhara Pyaar Chaahiye Mujhe - Toote Khilone
  • Ye Haqeeqat Hai – Chitra Singh
  • Yeh Raat Yeh Chaandni Phir Kahaan - Jaal

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Raag Durga

Durga

Learn Raga Durga in Western Notation.

Raag Description: This is a very popular nocturnal melody which is also very sweet to listen to. रे रे म रे ; , ध , ध सा clarifies the Raag format. Though originally from South Indian Classical Music, this Raag is equally suitable for Hindustani Classical Music style. Khayals and Bandishen and very nicely composed and people practically sway and dance to the melodic compositions. Pancham should not be a resting note in Avroh.

Notations (स्वर)

Gandhar and Nishad Varjya. Rest all Shuddha Swaras.

जाति

औढव - औढव (Pentatonic - Pentatonic)

थाट (Scale)

बिलावल (C, D, E, F, G, A, B, C')

आरोह (Ascending) :

सा रे म प ध सा' (C D F G A C')

अवरोह (Descending ):

सा' ध प म रे सा (C' A G F D C )

वादी (Sonant) -- मध्यम (F)

संवादी (Consonant) – षड्ज (C)

पकड (Group of Notes)

सा ध प म ध म रे सा

C A F G A F D C

Moods: soothing atmosphere which is neither very deep nor very playful.

Time : Midnight

Raag Durga Based Hindi Movie Songs

  • Chanda Re Mori Patiya Le Ja – Banjaarin
  • Door Desh Ka – Jawab
  • Geet Gaya Pattharon Ne – Title
  • Hum Intezaar Karenge - Bahu Begum
  • Jaane Wale O Mere - Geet Gaya Pattharon Ne
  • Khet Ko Mooli Baag - Achhuut Kanya
  • Sason Ke Taar Par - Geet Gaya Pattharon Ne   
  • Tu Is Tarah Se Meri - Aap Toh Aise Na The

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Raag Miyan ki Malhar

Miyan ki Malhar

Learn Raag Miyan ki Malhar in Western Notation.

Raga Description: This is a very melodious raga. This Raag is also referred to as 'Miya Malhar' since it was a wonderful creation by Sangeet Samrat Miya Tansen. The combinations of the melody can really ape the vagaries of nature in the thunder of clouds and the rain torrents falling from sky onto the earth.

जाति

सम्पूर्ण - षाढव वक्र

थाट(Scale)

काफी (C, D, D#,F, G, A, A#, C')

आरोह (Ascending) :

रे म रे सा, म रे, प, नि ध नि सा' (D F D C, F D, G, A# A B C)

अवरोह (Descending ):

सा' नि प म प म, रे सा (C A# G F G D# F, D C)

वादी -- – मध्यम (F)

संवादी -- षड्ज (C)

पकड (Group of Notes)

सा रे प म रे सा, नि' ध' नि' सा'

C D G D# F D C, A# A B C

Time : Any Time in Mansoon

Raag Miyan ki Malhar Based Hindi Movie Songs

  • Baraso re - Tansen (1942)
  • Bol Re Papihara – Guddi
  • Mohammed Shah Rangeele - Nadir Shah
  • Badal Dekh Dari – Meera
  • Badal Ghumad – Saaz
  • Na Na Na Barso Badal - Samrat Prithviraj Chauhan
  • Nach Mere Mor - Tere Dwar Khada Bhagwan

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Raag Bageshree

Bageshree

Learn Raga Bageshri in Western Notation.

Raag Description: Raga Bageshri / Bageshree is a popular raga in North Indian music. There are several names besides Bageshree for this Raag like: Bagesari, Bageshwari, Vageshwari etc. and also there is couple of options for Aaroh and Avroh. According to some maestros, Rishabh and Pancham should be Varjya in Aaroh, which makes it Audhav-Sampurna. It depicts the emotions of pratiksha or waiting of a lover. This raga highlights and emphasizes the ma swara.

Notations (स्वर)

Pancham Varjya in Aaroh, Gandhar and Nishad Komal. Rest All Shuddha Swaras.

जाति

षाढव - सम्पूर्ण वक्र (Hexatonic - Sampurna Vakra)

थाट (Scale)

काफी (C, D, D#,F, G, A, A#, C')

आरोह (Ascending) :

सा म म ध नि सा' (C F D# F A A# C')

अवरोह (Descending ):

सा' नि ध म रे सा (C A# A FD# FD# D C )

वादी (Sonant) -- मध्यम (F)

संवादी (Consonant) – षड्ज (C)

पकड (Group of Notes)

म ध नि ध ग म रे सा

F A A# A D# FD# D C

Moods: Romance, Love-play, playing hard to get, Pratiksha

Time – Midnight

Raag  Bageshri  Based Hindi Movie Songs

  • Aaja Ke Intezaar Main – Halaku
  • Aapko Bhool Jaaye Hum - Chitra Singh
  • Aapse Kya Gila - Chitra Singh
  • Aaye Bahaar Banke Lubhakar – Rajahath
  • Aja Re Paradesi – Madhumati
  • Bedardi Dagabaz Ja  - Bluff Master
  • Chah Barbad Karegi - Shah Jahan
  • Chaman Men Rang-E-Bahar – Ghulam Ali
  • Chhalak Rahi Bunden
  • Dilki Baat Labope – Mehandi Hassan
  • Divane Tum Divane Hum
  • Dur Rahkar Na Karo Baat – Amaanat
  • Ek Naye Modpe - Mehandi Hassan
  • Ghadi Ghadi Mera Dil Dhadke – Madhumati
  • Ham Bane Tum Bane - El Duje Ke Liye
  • Hamse Aya Na Gaya - Dekh Kabir Roya
  • Insaan Ka Insaan Se Ho Bhaichaara
  • Ja Re  Beiman Tujhe Jan Liya
  • Jag Dard-E-Ishq Jag  - Anarkali
  • Jao Jao Nand Ke Lala – Rangoli
  • Jeevan Se Bhari Teri Aankhen  - Safar
  • Kaise Kaise Log - Mehandi Hassan
  • Poochhta Jaa Mere Marghat se Guzarne Waley - Ghulam Ali
  • Radha Na Bole Na Bole  - Azad
  • Seene Main Jalan – Gaman
  • Shubh Ghadi Ai Re
  • Teri Pyari Pyari Surat Ko – Sasural

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